Now that I have written a piece of music, what next? Music, like other forms of artistic expression, is meant to be shared. Not always—some of what I have created will only be seen and heard by myself. Not that I’m selfish, some things are just too personal.
There are two options: Live or recorded. Live music has taken on a whole new meaning in the last year, with streaming performances becoming the new live. I’m not a performer. I have performed, but it’s not my forte.
I suffer from the classic stage fright. If you’ve never experienced it, you are lucky. Imagine playing a piece and all you can think about is “don’t make a mistake” or forgetting the next part—the proverbial “drawing a blank”—and so on. It really sucks.
One thing about learning to play a piece of music is memory: Mental and muscle. There are pieces that I learned early on in my college and university years, I can still remember. And some, if I don’t think about it, will come back like water from a faucet. It’s pretty amazing. It’s also about consistency. Can you play it right the first time (you don’t want to learn mistakes) and can you repeat it correctly?
When I try to learn a new piece, it seems to be more difficult to do those things, and it feels like more work than enjoyment. Since I’m only doing it for myself, there’s not much accountability when I say, that’s enough. Often when I do learn a piece, if I don’t play it on a regular basis, I need to relearn many of the parts. I love to play. I used to be better. I don’t like when it feels like work.
It also takes me a while to record. I can play a piece perfectly (or perfectly enough) until I press the record button and bingo—mistake city. I’ve been trying to record two of my earliest compositions, so maybe now is the incentive to finally finish them. Since I made a separate page on my website for all my music (plus I put them on SoundCloud), I might as well put those on as well.
Before the availability of computer programs to record, there used to be home 4-track cassette* recorders. Small, compact, and easy to use. Basically, it had four recording heads that divided the tape into four parts. Perfect for voice / guitar / bass / drums. But what if you wanted to add more instruments? Easy! Record tracks 1, 2, and 3, then put those on track 4. Now you have 3 empty tracks. So now you can record on 1 and 2, put those on empty track 3, and voila, you have 2 more tracks.
OK. Not so easy…
I use a free program called Audacity to record. You can have as many tracks as you need, add effects, and edit countless other aspects. Now, that’s easy.
What’s next for this series. Well, I have to finish the composing piece that I started. There are still parts that need to be connected, and parts yet to be created. Don’t ask me the timeline. I have no idea. It still needs a name as well. Stay tuned.
*Remember cassettes? Then you also remember when they jammed, and you pulled out lengths of crinkled brown tape. You also remember having to use a pencil to rewind them.
Leon Stevens is a composer, artist, and author of three books (so far): Lines by Leon: Poems, Prose, and Pictures, The Knot at the End of the Rope and Other Short Stories, and Journeys: Eight Original Pieces for Classical Guitar