There is a radio show on CBC here in Canada that occasionally does a feature called SYNTH: Songs You Need To Hear.
Now, I can’t say to someone, “You’ll like this song” (or book for that matter) because I can’t presume that others will share my taste in music (or books), so it is safer to say, “You might like this” and if they don’t like it, so be it.
Maybe you will find a new favorite.
In an interview I was working on last week, the author mentioned the band Marillion. I had not heard that name since the early 90s.
Marillion was an obscure band in North America. I remember picking up one of their albums in a used record shop during my college days. They had elements of new wave/progressive rock sprinkled with a hint of Genesis.
The original lead singer was replaced after their fourth album, Clutching at Straws, which was incidentally the last album I bought, but not for that reason. I don’t remember why I abandoned them, but when I looked them up for this post, I was surprised to see they continued to release albums, the last one was just this year.
Bands change. Bands that span decades can’t remain the same, and you either follow the evolution or you don’t. Marillion ended for me after Clutching at Straws. It’s how I remember them.
Leon Stevens is a multi-genre author, composer, guitarist, songwriter, and an artist, with a Bachelor of Music and Education. He published his first book of poetry, Lines by Leon: Poems, Prose, and Pictures in January 2020, followed by a book of original classical guitar compositions, Journeys, and a short story collection of science fiction/post-apocalyptic tales called The Knot at the End of the Rope and Other Short Stories. His newest publications are the novella, The View from Here, which is a continuation of one of his short stories, and a new collection of poetry titled, A Wonder of Words.
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