Music Monday: Riviera Galliard

I write better than I play. I play better than I record. I record better than I perform. Which is why it takes me a long time to get my music into audio form.

It was the mid [insert decade here]s. I was two years out of high school, still trying to figure out what I wanted to do. A couple years of college (not the college AKA university), left me wondering where my path lay (I was going to say destiny, but that seemed a bit grandiose).

Enter music. I liked playing guitar, and I was decent at it, so I decided to enroll in Music Performance course. This was my first exposure to classical guitar. Learning about something you enjoy makes everything easy. Not just playing guitar, but the other history and theory. It was fun. The parties were fun too.

I was immediately drawn to the Renaissance composer, John Dowland, along with his contemporaries, so it was natural to write in that style, just like later, my acoustic work was influenced by Don Ross, Adrien Legg, and Leo Kottke.

I wrote a few pieces for classical guitar, and later on for acoustic. Some I wrote down, others became faded memories with time, and a few finally got transcribed electronically, with a few of those being lost to the scourge of computer crashes. It’s funny how some pieces came back to me, while others were left alone too long and were now not like a puzzle with missing pieces, but the handful of the pieces themselves.

Here it is. Way too many years in the making. Riviera Galliard:

“She told me her name was Riviera. I was smitten and intrigued. I wonder what became of her.”

Journeys: Eight Original Pieces for Classical Guitar


Leon Stevens is a blogger, composer, artist, and an author of four books (so far): Lines by Leon: Poems, Prose, and PicturesJourneys: Eight Original Pieces for Classical Guitar, The Knot at the End of the Rope and Other Short Stories, and The View from Here, his first science fiction novella.

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